Sewing Magic: Behind the Costumes of Wicked’s Oz
In the world of costume design, few names resonate as powerfully as Paul Tazewell. Known for his extraordinary work on Broadway hits like *Hamilton* and *The Color Purple*, Tazewell has now turned his attention to the cinematic adaptation of *Wicked*.
This article delves into Tazewell’s creative journey, his inspirations, and the monumental effort that went into bringing the magical land of Oz to life for the new *Wicked* movie. From the ruby slippers that fetched millions at auction to the intricate details of Glinda’s and Elphaba’s costumes, Tazewell’s work is a testament to the art and craft of costume design.
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The Auction That Started It All
A week ago, the ruby slippers worn by Judy Garland in *The Wizard of Oz* sold at auction for an astonishing thirty-two and a half million dollars. This sale set the stage for a discussion about the value and significance of iconic movie costumes.
For the same amount, one could purchase the Wicked Witch of the West’s hat, Marilyn Monroe’s dress from *The Seven Year Itch*, and still have a substantial sum left over. This context highlights the immense cultural and monetary value of film memorabilia.
Paul Tazewell’s Inspirations
Paul Tazewell, the costume designer for the new *Wicked* movie, draws inspiration from a variety of sources. During a walk in the Brooklyn Botanic Garden, Tazewell shared how the flora around him inspired many of his designs.
The ombré of roses in Regent’s Park influenced a gown for Glinda, while the gills of mushrooms inspired the pleating in a dress for Elphaba. Tazewell’s ability to find beauty and inspiration in nature is a hallmark of his creative process.
A Monumental Production
The *Wicked* movie is the largest film production Tazewell has ever worked on. The marketing budget alone was estimated to equal the cost of five pairs of Judy Garland’s ruby slippers.
The costume department employed a hundred and forty people, including tailors, embroiderers, beaders, and even an in-house weaver. The scale of the production required a level of coordination and craftsmanship that is truly awe-inspiring.
Intricate Details
The attention to detail in Tazewell’s designs is remarkable. For example, the bodice for one of Ariana Grande’s dresses took two hundred and twenty-five hours to complete and featured twenty thousand beads.
The costume department also designed CGI suits for animals, showcasing the blend of traditional craftsmanship and modern technology in Tazewell’s work.
A Storied Career
Tazewell has spent most of his career in the theatre, working on productions like *Caroline, or Change* and *In the Heights*. His collaboration with Lin-Manuel Miranda on *Hamilton* earned him a Tony Award.
Tazewell also worked on Steven Spielberg’s *West Side Story* and is currently starting a new Spielberg film. His career is a testament to his versatility and talent in bringing characters to life through costume design.
Return to Oz
Interestingly, Tazewell has repeatedly found himself designing for Oz. He worked on the televised version of *The Wiz* in 2015 and had designed the musical years earlier in Akron, Ohio.
His first fully realized design of a show was for *The Wiz*, where he also played the Wiz. This recurring theme in his career underscores his deep connection to the world of Oz.
Personal Reflections
Beyond his professional achievements, Tazewell’s personal journey adds another layer to his story. After the passing of his husband, he found solace in the Brooklyn Botanic Garden, using it as a place to grieve and express himself.
His favorite spot in the park is the Japanese gardens, where he appreciates the asymmetry and textures of the trees. This personal connection to nature is reflected in his work, making his designs all the more poignant and meaningful.
The Future of Costume Design
As Tazewell continues to push the boundaries of costume design, his work on the *Wicked* movie sets a new standard for the industry.
The combination of traditional techniques and modern technology, along with his unique ability to draw inspiration from nature, ensures that his designs will continue to captivate audiences.
As he embarks on new projects, the world eagerly anticipates what Paul Tazewell will create next.
For more insights into Paul Tazewell’s work and the making of the *Wicked* movie, visit the full article on The New Yorker.
